| The Sound Collector Company
| Writer |
Roger McGough |
| Director |
Karen Simpson |
| Designer |
Juliet Watkinson |
| Composer |
Matthew Wood |
| Stage Manager |
Elb Hall |
| Set, props and costumes |
Liz Craven, Neil Gidley, John McCall, Gavin Bryan, Lee Swainston,
Mary Charlton, Christopher Wilson |
| Resource pack |
Irene Warburton |
| Actors |
|
| Mary |
Sarah Hope |
| Rose |
Nicola Blackwell |
The Sound Collector
This play is a humorous fusion of Roger McGough’s poetry
and a gentle story of friendship and tolerance. Mary and Rose are
friends who live next door to one another, Mary is noisy and Rose
is quiet. All seems well until Mary is visited by a stranger –
the ‘Sound Collector.’ When Mary sets a trap to catch
the stealer ofthe sounds that surround her world, she gets an even
greater surprise.

Synopsis (for teacher’s information)
Mary is at home in bed with a cold and she tells how rotten she
is feeling. The kettle is whistling and she prepares herself a foot
bath. She soaks her feet and relaxes to the comforting sounds of
home; the radio, the canary, the washing machine, the cat’s
purr. She loves these sounds.
Her neighbour Rose pops in for a cup of tea. Their attention is
caught by a story in the newspaper. A curious sort of robber, the
‘Sound Collector’, is stealing sounds all around the
town. Mary hopes her sounds are safe. Rose has offered to go shopping
for Mary and she leaves in a hurry.
Mary chats with the audience about the Sound Collector and what
sounds are worth pinching – favourite sounds, urban and country
sounds. She starts to get dressed but she is delayed by having a
missing sock! Her cold is getting worse and she sneezes. She ponders
on wouldn’t it be funny if you didn’t have a nose. She
yawns and goes to her bed. She lays her head on the pillow which
immediately argues back at her.
The Sound Collector enters, steals all the sounds that make Mary
feel so at home and exits. Mary wakes up and the audience tells
her what has happened. Whilst she is discovering the loss of each
sound, Rose returns with the shopping. Rose does not seem to be
bothered and she delivers the shopping and leaves.
Mary is determined to catch the thief and re-instate her sounds.
To lure the thief back to her flat she reads the Sound Collector
newspaper report and the audience add the sound effects. As the
audience’s sound rhythm swells in volume the thief returns
and is revealed to be Rose!
The two friends stand apart aghast. Mary asks for an explanation.
Rose tells of how she is frightened of sound. When she was a child
everything was too loud, she had no peace, no gentle lullabies.
Mary sympathises with her and tries to persuade her that this is
not true for all sounds; even loud noises can sometimes be fun.
Rose is genuinely sorry that she has taken Mary’s sounds and
she gives them all back.
Mary convinces her that it is all right to ask someone to make
less noise. Rose asks Mary to make less noise in her flat; the sound
of the radio, television, kettle whistle and the general domestic
symphony drives her crazy. Mary has never realised this. She promises
to be quieter and more considerate in future. They retire to Rose’s
flat for a cup of tea.
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