*

 

Back to Productions list
Crucible Logo Education Resource The Tempest Click here to increase text size   Click here to decrease text size   Click here to print this page
PRODUCTION
The Old Vic
Introduction
Director's Presentation
Rehearsal Diary
Actors
Set Design
Costume
Music
  Act 3 Scene 2
Lighting
  The Tempest
  Act 3 Scene 2
Marketing
The Tempest Company

THE PLAY
Background
Plot

Teachers Resource
Themes
Character Files
Essay

Email Us

 

Music

Music in The Tempest
There is more music in The Tempest than any of Shakespeare's other plays. There are more songs and points for underscoring and this needs to be specially commissioned. In the actual folio copies of the text, Shakespeare writes in specific points for music. In other Shakespeare plays, editors have added these stage directions many years later but this is not the case with The Tempest. It's the only play written by Shakespeare where you get a real sense of the importance of music. It has a presence, very much like another actor being on stage.

Instrumental line-up
For the score of The Tempest we decided to go for a line up of instruments that would help to evoke Prospero and his magical island and particularly Ariel, who sings six songs during the course of the play.

Over and over again in the play, characters refer to music on the air - as Caliban does in Act 3, scene 2 - so it seemed important to find instruments that could sound light and airy. As a result we went for flute, viola and harp, supported not only by tuned percussion - vibraphone and marimba - but also non-pitched percussion to provide texture - cymbals, tam-tam, wind chimes.

Music cue 15 (top of Act 3 scene 1) - opens the second half of the play, after the interval. Prospero has been watching the manacled Ferdinand pile up logs as he labours for the love of Miranda.

Listen in MP3:
MP3 Low quality (Quick download - 386Kb)
MP3 High quality (Longer download - 967Kb)

Placing the music cue
The placing of each cue and its precise timing emerges gradually during the course of rehearsals. Before rehearsals begin, Michael and I meet to outline a provisional run down of cues, and then once the production is underway, this outline is sharpened for precise timings and the psychological purpose of each cue is clarified.

Two weeks before the premiere, the score is then recorded in the studio and even at this stage, cues may be tweaked for timing, adding or subtracting seconds here and there. Once Michael has the score on tape, it can then be fed into the rehearsal room so that it feels an integral part of the production well before opening night.

The musicians who played on The Tempest score are:

CÉLINE SAOUT Harp
VOURNEEN RYAN Flute
ELIZABETH DAVIES Viola
RICHARD BENJAFIELD Percussion
CHRIS BRANNICK Percussion

Conducted by Julian Philips - website: www.julianphilips.co.uk

Music in Act 3 scene 2...

^ top of page

*

  ...
www.sheffieldtheatres.co.uk